Image Portrait

03.03.2016
07:33
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Classic version of the statement of coverage in this case is as follows. The property is located at a distance of 1,5 m from the background. On either side of him and slightly behind are two light sources, to the background. The photographer is at a distance of 2-3 meters from the model, to the left is the soft box aimed at the subject. It is soft box to create a soft, low-cost coverage on the shoulder portraits. Sharp light and shade can be obtained by using a powerful incandescent lamp. When creating a portrait of the shoulder are the most important look of a man. If an object looks straight into the camera when shooting, it provides a visual contact with the audience and, of course, makes the photograph more effectively.

To enhance the results can be applied cropping the image. For example, it allows you to make photo editor Home Photo Studio. In the menu you must select the Image> Crop. Cingular photograph. Involves photographing the object on the belt, not grabbing the frame leg and foot model. This form allows you to experiment with portrait different poses and angles that particularly attracted the attention of viewers.

When you create a half-length portrait is an important role photographed mood, which is very clear in his facial expressions and poses. In no case, not need to ask their models 'relax' is far better to offer to move the weight from one foot to another. Such a survey is to use 55-millimeter lens to reduce the risk of optical distortion. The main source of light should be angled 45 degrees to the right of the object. Recommend the use of umbrellas scattered light in the face, hair and clothing model. Photograph in full growth. This kind of photo portrait much more complicated, compared with lap and shoulder portraits. Prerequisite is an agreed position of the upper body, the correct placement of light sources. A person should not just accept 'Correct' posture, he should feel comfortable in it. Object can be deployed in either direction to create a more dynamic composition. At least one hand must be something that is busy, for example, it can be put on hip, to get behind him to take up any subject, etc. It is also important to establish eye contact with the camera, which allows us to photograph more vivid and expressive. If conditions permit, use to capture long-focus optics and otdhodite away from the object. To completely put in the frame silhouette of a man, you will need a substantial angle shooting. You can also take pictures near the wide-angle lens, but it greatly distorts the geometry of the image, for example, shortens the legs, increases the size of the head, etc.

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