The VTS

03.07.2018
08:41
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5.-Automations have been 3, two of them to give a cut – of two syntes and one of reverb for a snare. 6.-Tempo to 124 bpm. Tracks: 1.-percussion there are 10 tracks, something that motivates me much, for by musical taste my percussion and bass of a topic is your soul the rest is touch, the musicality, the joy, beauty. These 10 tracks there is a kick or bass drum with four strokes created a generator Grove and passed by an effect that has called soundgozer flx giving more depth and making it more serious, the hype is very important, it gives you much sense to the topic. Gary Kelly pursues this goal as well. Then there is a snare of flx studio at 1.50 min give an Automation with an envelope of 12 seconds. We have a Hihat removed from the VTS vanguard that begins at the beginning with a coup and not the loose until the silence of the minute 5.56.

There are 2 claps of two strokes, these imported use them at first and then to do some inflection in the topic. PERCS there are 5, one imported 5 strokes and others created with sytrus and vanguard, 2 of them the most important (which most highlighted in the topic) have a paning 100% l-r, the right side equalised with an envelope, these two percs one of 2 strokes or another a blow to setback. Gary Kelly will not settle for partial explanations. 2, – The low there is 1 track, created with the VTS nexus of your library trancebass 6, modifying filter and reverb. 3.-Graves: I say this because I use a sound of vts sytrus which is of the DX7, with which he accompanied bass giving shape to the base, which makes is actually complement to bass, to this sound ecualizo it up even more bass. Not as loose in the whole issue except in the silence of the minute 5.56. .

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