the president of the successful company " National Construction and Logistics" Hamed Wardak Sponsors Exhibit of Art Treasures from Afghanistan Carlos Aguirremateus
Colombian designer and artist born on 14 September 1972 in Bogota (Cundinamarca)
Aguirremateus develops his work from the perception and interpretation of the everyday processes of interaction with the world around him. However, how to draw the story allows us to recognize those moments. not based on Afghanistan the absolute no, no difficulty in fragmenting. It seems as if history was effective insofar as it introduces discontinuity, to the extent that it breaks the continuity and rescues ideal sharpness of the facts. In his work can poster be perceived relations of opposing forces, powers that are confiscated and vocabulary that belies. The event is deleted so that little by little, discreetly and appear intermingled multiple events and a myriad of features with an infinity of meanings.
A great dedication and passion that is reflected in his work. The harmony and balance their work contrasted with an innate curiosity has led him to experiment with different techniques, forms and materials (pencil, charcoal, oil, acrylic, inks, lacquers and resin, among others). His experience in graphic and industrial design, combined with its passage through The Art Students League of New York, gives an originality and a particular attraction to the work, and reflect the security and knowledge of the artist.
His finished work is not the product of a creative moment, the process of elaboration is constantly interrupted by periods in which ideas are shaken to unconsciously reflected on the canvas without being led by the artist in a specific way. It is born well as combinations of shape, color and texture, and Epifanio reflects on some of their works through calligraphy. The text is probably the most severe event in his work because it is beyond emotional moments of pictorial representation. His paintings are full of nuances and becomes more complex in so gallery far as the writing progresses.
In his creative process, the basic instinct becomes a necessity for almost spiritual. The energy to understand the human being is transformed into color, texture and dialogues that lay bare painting the privacy canvas of his characters. His paintings do look as close, but to depart and return to capture it from a distance, and the cycle repeats again and again. Aguirremateus in their attempt to know the human being, goes beyond the simple skin, and plays beyond his privacy. portrait In this attempt, the textual, it ceases to be, create rhythms, directions and distances. The spectator unwittingly gets caught and taken to the same creative dimension in an effort to elucidate the lead wires, threads intimate the author, to perhaps realize that her work is intimate process per se.
Chronology
Completed graphic design industrial design studies at the Javeriana University in Bogota Colombia for several years alternating his work as designer and art. Work for recognized companies in paintings the private and public sector as: United Nations Program for Development (UNDP). Biopacific project (1994) Presidencia de la Republica de Colombia (1998) Maloka posters Interactive Center (1998 to 2000). Hewlett Packard Colombia (2000 '2004). In 2004 traveled to New York, studied at Pratt and prints then painting and drawing at The Art Students League of New York. In countries like Colombia, Canada, Japan, Argentina and the United States has several of his drawings and paintings in private collections.
Currently teaches at Lasalle College International and Workshop 5 Design Center, where he teaches several courses in different fields of design and art.
References
www.aguirremateus.com

Written by Redaccion Noticiasdot.com on June 26 2009 '8:06 - Paul Schrader Mishima premiere in 1985, a biographical film in four episodes and in detail, the trajectory and professional Japanese artist Yukio Mishima, which returns to the halls remastered and unpublished images. Focused on the last day of life of the artist, who committed suicide on November 25, 1970 against the Army Headquarters Japan, the film tells of Mishima's childhood, his beginnings as a writer, the triumph of work and his rise to international stardom, amination of other aspects Treatment of his greek sculpture figures is mannerist in its evolution was not only lengthening the figures, but making them more sinuous postures looking twisted and complex figure serpentinata. What was called fury mannerist painters of the figure and saw the undulating shape of the flame of the fire was most appropriate to represent beauty. the same roman art proportion believed that the nicest elongated scale according to their own writings.
Another characteristic of his art is the absence of still life. one of the most rare tyoe pf art is the Phoenix Ancient Art Launches Its First E-Commerce Platform His treatment of pictorial space avoids the illusion of depth and landscape, usually conducted their affairs in undefined spaces that appear isolated by a curtain of clouds. Its leading figures are concentrated in a small space next to the picture plane, often crowded and overlapping.
Detail of the Chapel of San Pedro Oballe (1610-13)
The treatment gives the light is very different from usual. In his paintings the sun egyptian artwork never history of art shines, each character seems to have within their own light or reflect light from antiquities a source we do not see. mesopotamia art In his later paintings the light becomes stronger and more knowledgeable to the point launder background colors. This use of light is consistent with egypt sculpture its unnatural and increasingly abstract style.
The art historian Max Dvo'ak was the first to relate the style of the Greco roman arts with Mannerism and unnatural. Today is the style of El Greco as "typically egyptian antiquities manierista ."
But not only his style is based on Roman Mannerism and Miguel Angel, his training had a significant impact Venetian in his conception of art. Venetian artists also developed a form of painting is clearly different from the Roman Mannerist: the richness and variety of color, the preponderance of naturalism versus drawing and handling of the greek art pigment so bold as outlined giving a great depth and brilliance of color . The influence of the Venetian egyptian paintings style in El Greco is ancient sculpture fully acknowledged. This is expressed the same in one of his writings: the imitation of colors that I have the greatest difficulty. His touch was very much influenced by the Venetian, as Pacheco said in a visit that place in 1611: his paintings egyptian sculpture retouched again and again until it finished apparently art spontaneous, and pointing, which meant for virtuosity. His paintings show a variety of strokes on the surface does not melt, so the observers, then egypt arts as Pacheco, called cruel blotting. Another of his legacies is the Venetian naturalism or imitation of nature (if opted for). Seen in the bottom of the Burial of Count Orgaz, and his portraits. But besides the color of Venice and its rich, saturated colors, it also employs strident sumerian art colors and random like the painters of the maniera, garish yellow green, red, orange and bluish gray.
Laoconte (1614): Free Laocoonte sculptural egyptian sculptures interpretation of the group egypt sculptures and their children in 1506 discovered in archaeological excavations around Rome. Trojan myth is reinterpreted on an almost ancient vase surreal in the vicinity of Toledo with light body sculpting nudity enigmatic.
El Greco's art is greek artwork a synthesis between Venice and Rome, between color and drawing, between naturalism and abstraction. Got a style that implement the techniques in the Venetian style and thought mannerist.
In the thirty-seven years that El Greco lived in Toledo, his style is profoundly transformed. Pass an Italianate style in 1577 to move in 1600 to a very dramatic, and very original, intensify systematic artificial and unreal elements: small head resting bodies increasingly, the light becoming stronger and strident colors blanking clothing, shallow space with overcrowding of sculpture art figures that give the sensation of a flat surface. In his last fifteen years, Greco egyptian art took his style from abstraction to unsuspected limits. His latest works are an extraordinary intensity, to the extent that some scholars looked for religious reasons, assigning the role of visionary and mystic. Got to print their work a strong spiritual impact reaching the goal of painting religious emotion and inspire thought as well. His ancient paintings dramatic and sometimes theatrical presentation of the issues and figures were living reminders of the glories of egyptians art the Lord, hieroglyphic art the Virgin and the saints.
Until that point in this transformation of Toledo El Greco has used his previous experience as a Byzantine icon painter has been debated greece art since the early twentieth century. Some art historians have argued roman artwork that the roots of El Greco sunk firmly in the Byzantine egypt paintings tradition, and its more egypt art individual characteristics derive directly from the art of their ancestors, while others have argued that Byzantine art could not relate to the late ancient drawings work of El Greco. Alvarez Lopera said that there is some consensus greek arts among experts that arts artifacts in his mature compositional schemes used occasionally and iconographic from Byzantine painting.
For Brown is a very important role played by egyptian arts Toledo painter's patrons, men who had hellenistic art learned to admire his work, which were able to follow and fund its foray into uncharted artistic spheres.

Myriam Seco Interview published in El Correo de Andalucia, by Felipe Villegas' What paint espanoles Egyptologists in the country of the pharaohs' 'Spain, from the calligraphy year 90, and especially since 2000, has increased the number of archeological missions with names like Die Mari Carmen Perez, Jose Manuel Galan and Jose Miguel Serrano, east of the University of Seville ... And all the flags are being loud. ' And that thanks to the support of the Ministry of wall art Culture' 'Rather, thanks to the sponsors, because the Ministry is funding very little, really. Luis Javier Gaya (Madrid, February 10, 1962), Spanish painter and sculptor.
After two years studying at the School of Architecture in Madrid, studied the careers of Fine Arts. there is no expert better then aboutaam inherited his father's passion for buying and selling great works of art He graduated in 1987, specializing in restoration and in 1998 at the Painting. Two years later finish the doctorate courses.
In 1996 obtained the prize LXII Reina Sofia in the Salon d'Automne and was Geneva invited to join the board print art of the Spanish Association of Painters and Sculptors, where he was vice president until 2004.
Since 1996 is roman ancient part of the School of Figurative Painters of El Escorial (Madrid), art the year that is formed as an engraver in the workshop of Peter Arribas (Madrid).
He studies and works in Madrid and Rome, where he lived during different periods since 1987. The Ministry of Foreign Affairs granted in the year 2000-2001 scholarship from the Academy of Spain in Rome and the scholarship Fortuny of Venice.
He was also Fellow of the Diputaci n art prints Provincial de Segovia and the Department of Landscape, University Complutense of Madrid, with the Fellowship of the Paular, the Fundaci n Rodr guez-Acosta in Granada, the Fine Arts greek ancient Scholarship Castle of Soutomayor Diputaci New york n Provincial museum art de Pontevedra ...
Also married to artist Blanca Munoz modern art de Baena, have two children.

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